Meditations on the African, Andean & Asian Diasporas



Curated by artist William Cordova for Round 32 of Project Row Houses, eco, xiang, echo brings together a multigenerational group of artists from various backgrounds and geographic locations. Working in photography, performance, installation, drawing and sculpture, each artist presents work that addresses the often-overlooked connections between distinct cultures. These connections range from paralleling historical narratives to fantastical freedom dreamscapes. This project is a platform for a continued dialogue around the notions of collective consciousness in the Diasporas represented in this exhibition.

Participating Artists include Crystal Campbell, Albert Chong, Coco Fusco, Marina Gutierrez, Ayana V. Jackson, Minette Mangahas, Glexis Novoa, Mendi and Keith Obadike.


The exhibition is open and free to the public from March 27 through June 20, 2010:

Project Row Houses

2521 Holman Street

Houston, Texas


Artist/Community Talk

Thursday, March 25, 2010

7pm



Open Forum: Diaspora: Connections & Crossroads: a moderated conversation with local and national students, social activists, educators and artists.

Saturday, May 22, 2010

2pm



Also on view in conjunction with Fotofest, Project Row House presents new works by New York/ Philadelphia based artist Nsenga Knight






Faces From My Past



Albert Chong is a contemporary artist working in the mediums of photography, installation, sculpture, and video. His work engages directly with personal mysticism, race, ethnicity and identity. Chong’s imagery is a visual celebration of beauty, ancestry and spirituality.


In his installation at Project Row Houses, Faces From My Past (2010) consists of complex photographic collages. The large-scale collages are a culmination of portraits pulled from Chong’s personal archived photographs of friends and strangers. He digitally removed the faces of the individuals from the original photographs and used them as the pixels or building blocks for the recreation of larger scaled photographs of various people. The faces depicted in the larger photographs are primarily people of African and Asian descent, but also include people of European descent. The layering effect in this work becomes symbolic of how generations and communities build upon the knowledge and existence of others.







Albert Chong was born in Kingston, Jamaica, W. I. He attended the School of Visual Arts in 
New York City where he received a BFA. Chong was awarded a 1992 Individual Artist Fellowship from the National Endowment for the Arts. In 1998 he was awarded the prestigious Guggenheim Fellowship in the field of photography and in the same year the Pollock Krasner Grant. He represented his country origin: Jamaica in four international 
biennials, including the 2001 Venice Benniale, the 1998 Sao Paulo 
Biennale and the seventh Havana Biennial in Cuba in 2000 and the 
first Johannesburg Biennial.




BASE is a platform in discourse and design for locality and grounded collaboration between artists and cultural practitioners.